Alison krauss and robert plant dating


22-Jan-2018 10:37

Starting his solo career in 1982 with his Zeppelin-like Pictures at Eleven album, Plant would use a slew of great drummers over the next few years, including Phil Collins, Cozy Powell, Barriemore Barlow, and Richie Hayward.

Collins appeared on the 1983 follow-up, The Principle of Moments, and Plant achieved a lighter touch somewhere between Genesis and Zeppelin's quieter side with tracks like "In the Mood" and "Big Log." But the singer would feed his Elvis Presley infatuation on 1984's The Honeydrippers, Vol.

It was a creative highlight of his career, but despite a hit in "Little by Little," the album sold poorly, and the rumblings about a Zeppelin reunion mounted.

Plant took the next few years off, then answered the call for Zeppelin material with 1988's Now & Zen, which featured samples from his old group (plus selections from its vault on the subsequent tour).

Refusing to be typecast, Plant then threw a major curve with Shaken 'n' Stirred, the 1985 album that approximated new wave through the synthesizer embellishments of keyboardist Jezz Woodroffe and guitarist Robbie Blunt, plus Hayward's use of electronic drums.

They approached their microphones together and were in instant rapport. The question was answered by the third song of the evening when a banjo plucked out the Byzantine riff to Black Dog. Haunting and heavy and dark, but a million miles from Zeppelin's version.

Later on, Black Country Woman, When the Levee Breaks and Battle of Evermore got the same treatment.

He wanders into a pub close to his Primrose Hill residence without airs or graces, in slacks, T-shirt and hooded all-weather jacket.

Lunch is a sandwich grabbed from the deli across the road.

Michael Skidmore, a trustee for the late Spirit guitarist Randy California, has lodged the appeal against...